“Bodies Bodies Bodies” might just be the first great Gen Z thriller. In director Halina Reijn’s film is a razor-sharp satire of a very specific kind of modern privilege s...
Aboard the speeding locomotive of “Bullet Train” ride at least five assassins, one venomous reptile (a snake on the train), countless glib Guy Ritchie-esque slo-mo action...
A great debut in Hollywood can be a blessing and a curse. Once you knock it out of the park like Jordan Peele did with “Get Out,” which captured the zeitgeist so perfectl...
Sometimes a title just doesn’t help a movie.
Not that directors Anthony and Joe Russo had much choice in titling “The Gray Man,” their new Netflix spy thriller starring R...
Rarely have the conditions for love been less hospitable than in Sara Dosa’s documentary “Fire of Love." Yet here, amid shifting tectonics and quaking craters, French vol...
The last full Thor movie was the overstuffed 2017 “Thor: Ragnarok,” with the God of Thunder dealing with dueling brother and sister issues, the imminent destruction of hi...
Leonard Cohen was deep in his career when he finally finished “Hallelujah.” Well, the first version of “Hallelujah” — there would be many, many versions when all was said...
For a not small segment of the audience for “Minions: Rise of Gru,” only one thing really needs to be said. The Minions are in it. That's enough.
Now five films and 12 y...
George Saunders’ short story “Escape from Spiderhead” is not, you might say, an obviously cinematic piece. It’s the kind of subtly unsettling work — stark, moody and dial...
